
No, it's not Batman. It's that other masked vigilante with a pimped out car. Ladies and Gentlemen, I give you The Green Hornet. Nope, I don't know either. Very much an also ran in the pantheon of super heroes, The Green Hornet began life as a radio serial in the 30s. Brit Reid, wealthy head of a newspaper would take to the streets at night with his trusty sidekick Kato to dispense justice to all the thugs and lowlifes they can get their hands on. Other than the radio show there was also a tv series in the 60s in which Bruce Lee starred as Kato. personally my only memory of the character is a crossover episode with Batman of the 60s in which The Green Hornet poses as a criminal in Gotham in order to bring down a supervillain from the inside. This brings us nicely into the latest incarnation.
For the big screen update, Seth Rogen (Writer and star) has lifted this storyline almost entirely and had a few laughs with it. With Michel Gondry of Eternal Sunshine fame, on board as director one would expect something a little offbeat and quirky. Indeed, it isn't what you would call a normal superhero movie, but Gondry's influence is rather lost under the weight of it's star. This is a vehicle for Rogen through and through.
Rogen plays Brit Reid the underachieving son of a well respected newspaper magnate. When daddy dies Brit just wants to carry on as normal, spending his fathers money and ignoring any responsibility. Along the way Brit befriends his fathers mechanic Kato, mainly because Kato makes good coffee. Kato has many other handy crime fighting skills already built in to him, and when the two prevent a mugging one night, the increasingly useless Brit decides they should become vigilantes. From here on Silliness ensues. Christoph waltz steals the show as a gangster who wants nothing more than for his men to be afraid of him, Cameron Diaz pops up and doesn't really do anything and Seth Rogen bumbles around like he always does.
All in all, The Green Hornet is a fairly agreeable romp. For the most part it moves along swiftly, although the second act falls flat in parts. Given that Rogen is writing I would have expected far more comedy than action, but he succeeds in melding the two together rather seamlessly. Yes it's over the top, it's camp, and it is most definitely a throwback to the old colourful boys own adventures of old, but that all makes for a decent bit of silly entertainment. It's not perfect by a long shot, and a lot of people may be put off by the fact they've never heard of the damn thing, but there are far worse ways to spend an afternoon.
Rating: 3/5